BBFC – written evidence (CHI0025)

 

CHILDREN AND THE INTERNET

 

  1. The British Board of Film Classification (BBFC) welcomes the Lords Select Committee on Communications decision to undertake an inquiry into Children and the Internet.

 

  1. The BBFC is the independent regulator of film and video in the United Kingdom. It operates a transparent, trusted classification regime based on years of expertise and published Classification Guidelines. The BBFC conducts regular large scale public consultations to ensure that its Guidelines continue to reflect public opinion. The BBFC’s primary aim is to protect children from harm through classification decisions. It also empowers consumers, particularly parents and children, to make informed viewing choices through consumer advice and education.

 

  1. The BBFC is a member of the UK Council for Child Internet Safety (UKCCIS) Executive Board and works with international partners on projects to improve the protection of children from potentially harmful media content online.

 

  1. Below is the BBFC’s response to those inquiry questions relevant to its work:

 

Risks and Evidence

 

1.              What risks and benefits does increased internet usage present to children, with particular regard to:

 

i. Social development and wellbeing;

ii. Neurological, cognitive and emotional development;

iii. Data security

 

  1. The BBFC believes that it is too easy for children and young people to access inappropriate and potentially harmful content online.  The regulatory framework that has developed in the offline world to protect children from content - for example dangerous and imitable behaviour, self-harm, suicide, drug misuse and violence - that is likely to impair their development and wellbeing has not transferred to the online space.  Pornography is of particular concern.  It is well regulated in the offline world but for the most part unregulated online. 

 

  1. Most online pornography accessible in the UK is unregulated and easily available to children in the absence of filters. A significant proportion of this pornographic content would not be classifiable by the BBFC (because for example it features content that would be deemed obscene under CPS guidelines; involves violence and/or implied lack of consent; involves the infliction of pain or acts which may cause lasting physical harm; or features material likely to encourage an interest in sexually abusive activity).  This has led to the normalisation of largely unfettered access to the strongest, sometimes unlawful, pornography by children online.  

 

  1. Research suggests that the impact of this new societal 'norm' has been significant and detrimental to the wellbeing of children and young people.  The Government’s consultation ‘Child Safety Online: Age Verification for Pornography’ highlights research that found 'adolescents who viewed violent pornography were six times more likely to report engaging in sexually aggressive behaviour than their peers who did not'.[1]

 

  1. Girlguiding's 'Girls' Attitudes Survey 2015', a survey of young women aged 7-21, found that ‘Seven in ten think that pornography gives out confusing messages about sexual consent, or that it makes aggressive or violent behaviour towards women seem normal (both 71%). Two in three young women agree that pornography puts pressure on girls to have sex before they are ready (66%)'. 53% of young women surveyed by Girlguiding also agreed that 'boys are copying what they see in pornography when they try to coerce their girlfriends into sex acts'.[2]

 

  1. In its 'Briefing on Pornography and Violence Against Women and Girls' (July 2014) End Violence Against Women (EVAW) notes that 'pornography and sexualised popular culture form a conducive context for violence against women, contributing to messages about gendered stereotypes and sex which normalise men dominating women.'[3]

 

Education

 

5.              What roles can schools play in educating and supporting children in relation to the internet? What guidance is provided about the internet to schools and teachers? Is guidance consistently adopted and are there any gaps?

 

  1. Schools have a crucial role to play in educating children about accessing the internet safely and teaching resilience.   When we speak to children and young people and carers, the issue of online safety frequently arises, in particular around the sheer volume of inappropriate material and the lack of clear guidance and advice for the public when they are navigating content online.  

 

  1. The BBFC Education Team seeks to promote resilience in schools through its education outreach programme.  The BBFC speaks to over 10,000 people a year, more than 75% of whom are under 18.  We also provide classroom resources and offer a dedicated children's website, www.cbbfc.co.uk.  Through these various platforms, we explain to children, parents and teachers how to find out about age ratings and make safe viewing choices online.   The BBFC works in partnership with organisations such as Childnet to provide parents and children with guidance, including through Safer Internet Day. The BBFC’s children’s website (www.cbbfc.co.uk) supports the 5Rights charter and the BBFC is part of the committee driving the 5Rights project.

 

  1. The BBFC will be extending the information it offers to both younger (primary school) audiences, and their parents, about making safe, empowered decisions online, following BBFC research into families and their viewing decision-making processes planned for later this year. The BBFC will use video, with supporting web resources, designed to promote safe viewing, demonstrate how to avoid potentially harmful unregulated content online, and incorporate the online safety messaging of partner organisations about responding to inappropriate content online.  The BBFC is also developing classroom resources, including a poster and stimulus material, for secondary aged learners and their teachers.  This will combine our expertise in using film and TV extracts to encourage discussion around content and age suitability.  We will also share 'insider track' insight on what techniques members of our examining team use in order to develop resilience when viewing strong material.

 

  1. The BBFC’s education outreach programme also offers schools information on the Mobile Network Operators' (MNO) voluntary, best practice filtering scheme regulated by the BBFC, based on classifications that are well understood by parents. Schools are in a good position to proactively encourage parents of school age children to ensure filters are in place for any online access.

 

6.              Who currently informs parents of risks? What is the role for commercial organisations to teach e-safety to parents? How could parents be better informed about risks?

 

  1. The BBFC offers parents a system of classification which provides solutions in the online space with age ratings which are widely understood and trusted.  These age classifications can then be applied to parental filters.

 

  1. Since 2008, the BBFC has been working in partnership with the home entertainment industry and others to bring, as far as possible, offline regulatory protections online. In doing so, it uses a number of best practice, voluntary self-regulatory models that apply trusted BBFC standards in ways that best fit the business practices of different providers and the requirements of their consumers, particularly parents.

 

  1. The BBFC’s industry partners in the online space include:

 

 

  1. These models involve the BBFC setting content standards and classifying material. Those standards and/or individual classifications are given effect through signposts for parents and consumers generally, including age ratings and content advice; parental controls linked to age ratings or standards; and internet filters.

 

  1. For example, the BBFC is the independent regulator of content delivered via the UK’s four Mobile Networks Operators (EE, O2, Three and Vodafone). Using the standards in the BBFC’s Classification Guidelines, content that would be age rated 18 or R18 by the BBFC, is placed behind access controls and internet filters to restrict access to that content by those under 18. This includes pornography and other adult sexual content, pro-Ana (anorexia nervosa) websites and content which promotes or glorifies discrimination or real life violence.  In 2015, the BBFC and EE also adopted a Classification Framework for EE’s "Strict" parental setting, aimed at younger children, with filtering standards set at the BBFC's PG level.  

 

  1. The BBFC also provides an appeals service to respond in a transparent and timely way to reported cases of over and under blocking by access controls/filters. Customers may only remove the network filters on mobile devices if they are able to prove (using robust age verification methods, such as credit card or in-person verification) that they are aged 18 or over.

 

  1. None of the above models offer a panacea, either individually or collectively. However, they do make a substantial contribution to online child safety and consumer empowerment, and have been welcomed by parents in particular. Independent research commissioned by the BBFC in 2015 found that 85% of parents consider it important to have consistent classifications off and online (Bernice Hardie, 2015).  The BBFC believes its commercial partners should be recognised for the way in which they have engaged with ratings and content advice in order to protect children.  We look forward to continuing to work with industry to improve even further the use of BBFC symbols online, particularly to help parents filter content and set parental controls.   

 

  1. In terms of how these systems could be improved to ensure parents are better informed, the BBFC has argued for a more consistent approach across different media.  For example, the current protections provided by MNOs based on BBFC classifications differ from those offered by public WiFi or home broadband.  These different approaches and standards can lead to regulatory confusion which is not conducive to child protection.

 

Legislation and Regulation

 

9.              What are the regulatory frameworks in different media? Is current legislation adequate in the area of child protection online? Is the law routinely enforced across different media? What, if any, are the gaps? What impact does the legislation and regulation have on the way children and young people experience and use the internet? Should there be a more consistent approach?

 

  1. The BBFC classifies films and videos works according to its Classification Guidelines, with ratings ranging from ‘U’ for Universal to ‘R18’.  The BBFC’s Guidelines are the result of extensive public consultation, involving over 10,000 people across the UK in the 2013 Guidelines consultation.  Research demonstrates that the public agrees with the BBFC’s classification decisions more than 90% of the time (Bernice Hardie and Goldstone Perl, 2013).  The 2013 Guidelines consultation found most respondents - 84% of parents with children aged 6-15 - consider that the BBFC is effective at using classification to protect children from unsuitable content.  89% of parents (and 76% of teenagers) rate classification as important, and 95% of parents with children under 15 usually check the BBFC classification.  

 

  1. While the BBFC’s classifications have statutory force for video works and film exhibition, the BBFC has no statutory power online.  However, independent research in July 2015 commissioned by the BBFC shows that the majority of viewers still consider it important to be able to check the suitability of audiovisual content they download.  As more viewing takes place online, consumers expect that the same level of regulation will apply online as currently applies offline.  85% of parents consider it important to have consistent BBFC classifications available for Video-on-Demand (VOD) content, rising to 91% of parents whose youngest child is under 10. (Bernice Hardie, 2015)

 

  1. As stated in response to question 6, in recognition of these public demands for regulatory protection online, the BBFC has worked in partnership with the home entertainment industry on a number of voluntary, best practice self-regulatory services which bring trusted BBFC classification standards and well known age ratings online. The BBFC provides labelling and content advice for content providers and platform owners (aggregators). This service covers VOD, Download To Own, Streaming and all forms of Electronic Sell Through. The BBFC has rated over 200,000 videos for online distribution, with BBFC ratings used by platforms such as iTunes, Netflix, Amazon, TalkTalk TV Store and BT TV.   Displaying BBFC labelling enables consumers to make informed choices when purchasing digital video, thereby empowering parents to protect their children.  

 

  1. The BBFC considers that, when protecting children from harmful content online, the three most pressing concerns are as follows:  first, online pornographic content; second, online music videos; and finally, greater consistency of approach for online filters.

 

 

A.  Online pornographic content

 

  1. The BBFC classifies all pornographic content released on a physical format. It will not classify material that is potentially harmful or otherwise illegal, including so-called 'rape porn'. The BBFC's regulation of pornography offline is well established and largely effective at preventing access by children.

 

  1. Online the situation is quite different. The BBFC works with a small number of UK adult content providers in the online space on a best practice, voluntary basis, to ensure that their content meets UK standards of acceptability and that it is kept away from children. The BBFC also supports Ofcom’s work under the Communications Act 2003 to regulate online 'TV-like' adult content hosted in the UK by determining the standards that Ofcom applies and advising Ofcom in individual cases.

 

  1. However, the work described above covers only a small proportion of pornographic content that is accessed in the UK. Most online pornography accessible in the UK is unregulated because it is hosted elsewhere in the EU or from outside the EU (particularly the US). It is therefore easily available to children in the absence of filters. A significant proportion of this content would not be classified by the BBFC if it was offline (because for example it features content that would be deemed obscene under CPS guidelines; involves violence and/or implied lack of consent; involves the infliction of pain or acts which may cause lasting physical harm; or features material likely to encourage an interest in sexually abusive activity).

 

  1. The BBFC therefore welcomes the inclusion in the Digital Economy Bill of clauses that seek to ensure effective age verification by all commercial sites containing pornographic material to restrict users to those who are 18 or over. The Bill also places an obligation on the age verification regulator to review whether such sites contain content that would either not be classifiable in the UK or would be illegal.  The BBFC agrees with Government that although no system to protect children from such content can ever be 100% effective, robust age verification is an important child protection measure that will reduce the chances of children accessing pornography online. 

 

B.  Online Music Videos

 

  1. There are serious public concerns regarding online music videos which are not covered by the BBFC’s statutory remit under the Video Recordings Act (VRA).  For example, whilst the majority of music videos are appropriate for children, a report jointly commissioned in 2014 by EVAW, Object and Imkaan concluded:

 

'Some have argued that music videos use conventions of pornography: they are constructed around a ‘pornographic imagination’, featuring ‘pornographic performances’. The ways in which women’s bodies are relentlessly dissected and displayed makes music videos a form of ‘everyday pornography’, because they are based on ‘representation of something which is recognised as pornographic in a context which is not itself pornographic’. This everydayness is precisely what concerns many, since music videos are integrated into everyday environments'.[4]

 

  1. The report continues:

 

'Findings from studies that examine the impact of music videos are consistent and persuasive in highlighting associations between representations of women as sexualised body parts, and attitudes that condone sexual violence. Similar correlations are well documented in the evidence of access and exposure to pornography with respect to young people.'

 

  1. In October 2014, the BBFC, the UK's three major record labels, Vevo and YouTube launched a pilot project with Government support for the age rating of online music videos featuring content that is unsuitable for younger children. (It is worth noting that the experience of this pilot suggests that a significant majority of music videos released by the UK’s major record labels are suitable for younger children.)  In August 2015, the Government announced that the UK music industry, Vevo and YouTube had agreed that the measures trialed with the BBFC would be made permanent for videos produced by artists signed to major UK labels and that independent labels would also pilot this voluntary initiative.

 

  1. Clear age ratings are the first step to improve child protection with online music videos and were welcomed by the public in independent research into the pilot commissioned by the BBFC in 2015.  The research found that:

 

 

  1. The BBFC is therefore working with Government, the music industry and platforms to improve the effectiveness and coverage of online age ratings. However, the lack of coverage for videos by US-repertoire artists in particular is a serious gap in protection. The BBFC believes that if there is no further progress towards including any potentially harmful content by these artists the Government needs to set a deadline to ensure that US repertoire artists are included in the scheme. It also believes that video hosting platforms such as YouTube should improve signposting for ratings and consider linking them to effective parental controls.

 

C.  Greater consistency of approach for online filters

 

  1. As stated in response to question 6, it is vital that parents understand and respect the basis on which parental filters operate.  There is presently a lack of consistency of approach across different platforms.  The BBFC believes that its work with the MNOs represents a trusted and transparent system that is based on standards that are thoroughly researched and have widespread public support and could be used on other platforms. 

 

10.              What challenges face the development and application of effective legislation? In particular in relation to the use of national laws in an international/cross-national context and the constantly changing nature and availability of internet sites and digital technologies? To what extent can legislation anticipate and manage future risks?

 

  1. There are significant technical challenges to the regulation of content online.  In particular, the BBFC considers the issue of encryption to be of crucial importance.  Encryption of websites is starting to degrade the child protection measures put in place by, for example, the MNOs and the BBFC as filters find it difficult to cope with the https protocol.  In addition, increasingly children are downloading content through Apps and this also limits the effectiveness of any parental filters.

 

11.              Does the upcoming General Data Protection Regulation take sufficient account of the needs of children? As the UK leaves the EU, what provisions of the Regulation or other Directives should it seek to retain, or continue to implement, with specific regard to children? Should any other legislation should be introduced?

 

  1. In May 2016, the Commission published its proposal for amendments to the Audiovisual Media Services Directive to increase regulatory scrutiny of video on demand services and video-sharing platforms.  Currently, the Directive only requires video on demand platforms to put in place measures to protect children from content that might "seriously impair the physical, mental or moral development of minors" (Article 12).  Under the country of origin principle, this standard is set by the Member State in which the video on demand service is located.  The proposed amendments retain this principle but increase the proportion of content on video on demand services that is subject to regulation to include any content which might "impair" rather than "seriously impair" children.  To a lesser extent, video-sharing platforms would also be required to implement measures to protect children from harmful content. 

 

  1. The BBFC welcomes the Commission's efforts to improve standards of online child protection and supports the decision to lower the benchmark to “impair”.  These proposals are likely to significantly increase the volume of content broadcast to UK consumers that is regulated on a statutory basis outside the UK.  The BBFC is concerned that the implications of this new statutory oversight in other Member States have not been fully considered and have the potential to undermine current protections for UK children online.

 

  1. Under the Commission’s new proposals, it appears that UK consumers (including parents) would be required to address concerns about harmful content shown on a video on demand service to the regulatory body of the Member State in which the service is based.  In most cases this would mean that a UK Regulator would not have jurisdiction to consider the complaint. This would confound the expectation of UK consumers who, based on the regulatory framework for linear broadcasters and the BBFC’s system of classification, have a reasonable expectation that content is regulated according to UK standards that are set in consultation with the British public and enforced by a UK Regulator to whom they have the right to complain. 

 

  1. Under the terms of the proposed amendments, where the video on demand service is located in another Member State, the Regulator in that Member State would have no obligation to address the specific concerns and expectations of UK consumers with regard to content broadcast to the UK.  Content standards set by other Member States differ markedly from UK standards on a wide range of issues, including dangerous imitable behaviour, pornography, sex, violence, language, self-harm and suicide.  The Commission is also promoting the concept of developing an EU Code of Conduct for content descriptors which could be adopted by Member States across the EU which would be even further removed from reflecting national differences.  Annex A contains a representative list of recent films and shows how age rating standards differ across the EU.

 

  1. Currently, the BBFC works on a voluntary, best practice basis with all major video on demand services operating in the UK – many of them based outside the UK - to provide consumers with familiar, well understood and trusted age ratings and content advice.  This voluntary system is based on UK standards expressed in the form of BBFC symbols and content advice and provides children with the level of protection expected by UK parents.  Although there is no statutory basis for the BBFC's work with the platforms it is a logical extension of the BBFC's statutory role in the offline space and the BBFC believes its platform partners should be recognised for their commitment to offering the same high regulatory standards online which reflect the expectations of the UK public.  

 

  1. If the proposed amendments pass into EU law, the BBFC is concerned that the legal obligation on VOD services to comply with alternative, potentially lower standards (set outside the UK, potentially on an EU-wide basis) risks the consequence that VOD services will be less willing to also engage on a voluntary basis to offer UK consumers more meaningful and helpful information.  This would lead to a diminution of online child protection standards for children in the UK. 

 

  1. The Commission proposes that there should be a system of descriptors indicating the nature of the content on an audiovisual media service. The BBFC already provides this service for the home entertainment industry who have adopted BBFC classifications and content information voluntarily online as set out in our response to Question 9.  Examples of BBFC symbols and BBFCInsight are set out below:

 

 

  1. The British public would not be well served if these symbols and insight were replaced with unfamiliar age ratings and content descriptors online which would be treated with suspicion, poorly understood or ignored. 

 

  1. These EU Commission proposals could therefore inadvertently lead to a diminution of online protection standards for children in the UK.   Instead of UK standards being reflected with UK symbols and content descriptors, the UK could move to VOD content broadcast to UK consumers with EU content descriptors and standards which are unlikely to offer the same level of protection or sensitivity to UK cultural norms.  The UK has led the way in terms of child protection online and the BBFC believes the UK Government should continue to ensure that online child safety standards can be determined on a national level based on national standards. 

 

  1. It is unlikely that proposed amendments to the Directive will come into force before the expected date that the UK leaves the EU under the Article 50 process.  However, the UK may opt to subscribe to the Directive on a voluntary basis or as part of a wider agreement on a free market in services.  The BBFC notes that UK-based broadcasters consider the retention of the country of origin principle to be essential in securing their continued access to European markets and the BBFC would not wish to see the UK creative industry put at a disadvantage.  However, the BBFC believes that the British public, in particular children, would not be well served by the regulatory framework proposed in the Directive in relation to protection from harmful content broadcast to the UK.  The BBFC also believes that retaining the country of origin principle in relation to broadcast rights is compatible with establishing the right of any Member State (not just the UK) who wishes to set national standards for online child safety in line with public policy and what it considers will impair the physical, mental or moral development of minors in their own country according to national concerns and sensitivities. 

 

  1. The BBFC agrees with the Commission that more can and should be done in relation to User Generated Content (UGC), irrespective of the UK’s relationship with the EU.  EU Kids Online research shows that children are concerned about accessing unsuitable content on UGC video hosting services.   There is no reason why action should not be taken immediately by video-sharing platforms to better protect children online.

 

  1. The BBFC and its Dutch counterparts NICAM developed YouRateIt (YouRI) at the request of the Brussels-based CEO Coalition to make the Internet a better place for kids, led by the former Commissioner Neelie Kroes.   YouRI is a tool that provides age ratings for user-generated content (UGC) available via online video-sharing platform services. The tool is a simple questionnaire, designed to be completed by those uploading videos onto a site, or by the crowd, or both. Those who use it are asked a series of questions about the content to be rated. The tool, and the methodology behind it, is scalable on a global basis.  The questionnaire itself would be the same in each country or territory but it produces bespoke, national ratings and content advice that take into account cultural and societal differences. It is a low cost means of capturing the enormous, and rapidly expanding, amount of UGC content that is not currently being rated, and is not susceptible to being rated, under other models operated by ratings bodies around the world.  The tool can also be linked to parental controls.

 

  1. The BBFC and NICAM have recently completed a pilot project with the Italian media company Mediaset, and now need new global partners to develop and test the questionnaire. The BBFC is willing to offer its expertise to any platform that is considering developing its own bespoke ratings tool to protect children from harmful content.  YouRI is a voluntary initiative that could be pursued by the UK Government irrespective of our relationship with the EU.

 

August 2016


Annex A - Different EU Classification Standards – August 2016

NB: Red = highest rating. Green = lowest rating. TP/AL = the work is suitable for all; broad equivalent of U rating.

TP! = the work is largely suitable for all, but caution is advised; broad equivalent of PG rating

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

 

 

 

360

16

12

15

TP

16

-

11

15A

 

 

 

 

2012

12

12

12A

TP

12

11

11

12A

 

 

 

 

10 Cloverfield Lane

16

16

12A

TP!

14

-

15

15A

 

 

 

 

100-Year-Old Man Who Climbed Out…, The

12

12

15

TP

12

11

11

15A

 

 

 

 

12 Years A Slave

16

12

15

TP!

14

15

15

15A

 

 

 

 

127 Hours

16

12

15

TP!

16

15

15

15A

 

 

 

 

13 Hours: The Secret Soldiers of Benghazi

16

16

15

12

16

15

  -

15A

 

 

 

 

22 Jump Street

12

12

15

TP

-

-

11

15A

 

 

 

300: Rise Of An Empire

16

18

15

12!

16

15

15

16

 

 

 

 

Abraham Lincoln: Vampire Hunter

16

16

15

12

14

15

15

15A

 

 

 

 

Albert Nobbs

9

6

15

TP

-

7

15

15A

 

 

 

 

Alice in Wonderland

9

12

PG

TP

6

11

11

PG

 

 

 

 

All Is Lost

12

6

12A

TP

10

7

-

-

 

 

 

 

Amazing Spider-Man 2, The

12

12

12A

TP

12

11

11

12A

 

 

 

 

Amazing Spider-Man, The

12

12

12A

TP

10

11

11

12A

 

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

Title

Netherlands

Germany

American Hustle

12

6

15

TP

10

11

11

15A

 

 

 

 

American Pie: Reunion

12

12

15

TP

14

7

7

16

 

 

 

 

American Sniper

16

16

15

TP

16

15

15

15A

 

 

 

 

American, The

12

12

15

TP

14

15

15

15A

 

 

 

 

An Education

AL

AL

12A

TP

-

7

-

15A

 

 

 

 

Anchorman 2

12

12

15

  -

-

-

11

15A

 

 

 

 

Anomalisa

12

12

15

TP

14

15

7

15A

 

 

 

 

Apollo 18

16

16

15

TP

12

11

-

12A

 

 

 

 

Argo

12

12

15

TP

14

15

15

15A

 

 

 

 

Attack the Block

16

16

15

TP

14

-

15

16

 

 

 

 

Avatar

12

12

12A

TP

12

11

11

12A

 

 

 

 

Avengers, The

12

12

12A

TP

12

11

11

12A

 

 

 

 

Avengers: Age of Ultron

12

12

12A

TP

12

11

11

12A

 

 

 

 

Bad Neighbours

12

12

15

TP

14

11

11

16

 

 

 

 

Bad Teacher

12

12

15

TP

12

AL

AL

16

 

 

 

 

Batman v Superman: Dawn of Justice

12

12

12A

TP!

14

11

11

12A

 

 

 

 

Battleship

12

12

12A

TP!

12

15

11

12A

 

 

 

 

Beginners

AL

AL

15

TP

6

AL

AL

15A

 

 

 

 

Big Hero 6

6

6

PG

TP

8

7

7

PG

 

 

 

 

Birdman

12

12

15

TP

10

11

11

15A

 

 

 

 

Biutiful

12

16

15

TP!

-

15

15

15A

 

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

Title

Netherlands

Germany

Black Mass

16

16

15

12

16

15

15

15A

 

 

 

 

Black Swan

16

16

15

TP!

16

15

15

16

 

 

 

 

Blackhat

16

16

15

TP

14

15

15

15A

 

 

 

 

Bling Ring, The

16

12

15

TP

14

11

11

15A

 

 

 

 

Blue Valentine

12

12

15

TP

-

15

11

16

 

 

 

 

Bounty Hunter, The

12

12

12A

TP

12

7

11

12A

 

 

 

 

Bourne Legacy, The

12

12

12A

TP

12

15

15

12A

 

 

 

 

Bridge of Spies

12

12

12A

TP

10

11

11

12A

 

Title

Netherlands

Germany

Buried

12

16

15

TP!

-

-

15

15A

 

 

 

 

Butler, The

16

12

12A

-

-

11

15

12A

 

 

 

 

Cabin In The Woods

16

16

15

12

14

15

-

16

 

 

 

 

Capitalism – A love Story

9

6

12A

TP

  - 

-

-

PG

 

 

 

 

Captain America: The First Avenger

12

12

12A

TP

12

11

11

PG

 

 

 

 

Captain America: The Winter Soldier

12

12

12A

TP

12

11

15

12A

 

 

 

 

Carnage

12

12

15

TP

10

7

-

15A

 

 

 

 

Carrie

16

16

15

12

14

15

15

16

 

 

 

 

Chappie

16

12

15

TP

14

15

15

15A

 

 

 

 

Chernobyl Diaries

16

16

15

12

16

15

-

16

 

 

 

 

Chloe

12

12

15

TP

-

AL

-

16

 

 

 

 

Chronicle

12

12

12A*

TP

14

15

15

12A

* certain changes made prior to submission

 

 

 

Citizen Four

AL

AL

15

-

-

15

-

-

 

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

 

Title

Netherlands

Clash Of The Titans

12

12

12A

TP

12

11

11

12A

 

 

 

 

Company You Keep, The

12

6

15

TP

10

-

7

15A

 

 

 

 

Conan the Barbarian

16

18

15

TP

-

15

15

15A

 

 

 

Contagion

12

12

12A

TP

12

15

15

12A

 

 

 

 

Counselor, The

16

16

18

TP!

16

15

15

16

 

 

 

 

Cove, The

12

6

12A

-

12

-

11

PG

 

 

 

 

Cowboys & Aliens

12

12

12A

TP

14

15

15

15A

 

 

 

 

Crazies, The

16

KJ (18)

15

TP

16

11

-

16

 

 

 

 

Crimson Peak

16

16

15

12

16

15

15

15A

 

 

 

 

Danish Girl, The

12

6

15

TP

12

11

11

15A

 

 

 

 

Dark Knight Rises, The

12

12

12A

TP

14

11

15

12A

 

Title

Netherlands

Germany

Das Weisse Band [The White Ribbon]

12

12

15

TP!

12

11

11

15A

 

 

 

 

Dawn Of The Planet Of The Apes

12

12

12A

TP

12

11

11

12A

 

 

 

 

Deadpool

16

16

15

12

16

15

15

16

 

 

 

 

Deliver Us From Evil

16

16

15

12

16

15

15

16

 

 

 

 

Desert Flower

12

12

-

TP

12

-

-

-

 

 

 

 

Devil

16

16

15

TP

14

15

15

15A

 

 

 

 

Dictator, The

12

12

15

TP

15

11

11

16

 

 

 

 

Django Unchained

16

16

18

12

16

15

15

18

 

 

 

 

Don Jon

16

16

18

12

-

15

15

18

 

 

 

 

Dracula Untold

16

12

15

TP!

14

15

15

15A

 

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

 

Title

Netherlands

Dredd

16

18

18

12

-

15

15

18

 

 

 

 

Drive

16

18

18

12

-

15

15

18

 

 

 

 

Due Date

12

12

15

TP

14

11

7

15A

 

 

 

 

Duke of Burgundy, The

12

  -

18

  -

  -

-

  -

18

 

 

 

 

Edge Of Tomorrow

16

12

12A

TP

12

11

11

12A

 

 

 

 

Elysium

16

16

15

TP

14

15

15

15A

 

 

 

 

End Of Watch

16

16

15

12

16

15

-

16

 

 

 

 

Enter the Void

16

KJ (18)

18

16

-

-

-

18v

 

 

 

 

Equalizer, The

16

16

15*

12

16

15

15

16

* certain changes made prior to submission

 

 

 

Everest

12

12

12A

TP

12

11

11

12A

 

 

 

 

Evil Dead

16

18

18

16

-

15

15

18

 

 

 

 

Expendables 2, The

16

18

15

12

16

15

-

16

 

 

 

 

Expendables 3, The

12

16

12A

TP

16

11

15

12A

 

 

 

 

Expendables, The

16

KJ (18)

15*

12

16

15

15

15A

* cut for violence

 

 

 

Extremely Loud and Incredibly Close

12

12

12A

TP

10

11

11

12A

 

 

 

 

Family, The

16

16

15

TP

16

15

15

15A

 

 

 

Fast & Furious 7

12

12

12A

TP!

14

11

11

12A

 

 

 

 

Fifty (50) Shades of Grey

16

16

18

12

16

15

15

18

 

 

 

 

Fighter, The

12

12

15

TP

12

11

15

15A

 

 

 

 

Final Destination 5

16

18

15

12

16

-

15

16

 

 

 

 

Flight

12

12

15

TP!

12

15

11

15A

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

Title

Netherlands

Germany

Four Lions

6

16

15

TP

-

15

11

15A

 

 

 

 

Frankenweenie

6

12

PG

TP

10

11

11

PG

 

 

 

 

G.I. Joe: Retaliation

12

16

12A

TP

12

11

11

12A

 

 

 

 

Gamer

16

KJ (18)

18

12

16

15

15

18

 

 

 

 

Get Him to the Greek

12

12

15

TP

14

-

11

16

 

 

 

 

Girl with the Dragon Tattoo, The [US]

16

16

18

12

16

15

15

18

 

 

 

 

Godzilla

12

12

12A

TP!

12

11

15

12A

 

 

 

 

Gone Girl

16

16

18

TP!

16

15

15

16

 

 

 

 

Good Day To Die Hard, A

12

16

12A*

12

14

15

15

15A

* certain changes made prior to submission

 

 

 

Great Gatsby, The

12

12

12A

TP

10

11

11

12A

 

 

 

 

Green Hornet, The

12

12

12A

TP

14

11

15

12A

 

 

 

 

Green Zone

12

16

15

TP

14

15

15

15A

 

 

 

 

Grey, The

16

16

15

12

14

15

-

15A

 

 

 

 

Grown Ups 2

6

6

12A

TP

8

AL

11

12A

 

 

 

 

Guardians Of The Galaxy

12

12

12A

TP

14

11

11

12A

 

 

 

 

Hail, Caesar!

6

  -

12A

TP

6

7

7

12A

 

 

 

 

Hangover Part II

12

12

15

TP

14

11

11

16

 

 

 

Hanna

12

16

12A

TP

12

15

15

15A

 

 

 

Hansel & Gretel: Witch Hunters

16

16

15

12

-

15

15

15A

 

 

 

 

Harry Potter and the Deathly Hallows Pt 1

12

12

12A

TP

12

11

11

12A

 

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

 

 

 

Harry Potter and the Deathly Hallows Pt 2

12

12

12A

TP

12

11

11

12A

 

 

 

 

Hateful Eight, The

16

16

18

12!

15

15

  -

18

 

 

 

 

Her

12

12

15

TP

12

7

AL

15A

 

 

 

 

Hitchcock

12

12

12A

TP

10

11

11

12A

 

 

 

 

Hobbit, The: An Unexpected Journey

12

12

12A

TP

12

11

11

12A

 

 

 

 

Hobbit, The: Desolation Of Smaug

12

12

12A

TP

12

11

11

12A

 

 

 

 

Horrible Bosses

12

16

15

TP

14

11

11

15A

 

 

 

 

Horrible Bosses 2

12

12

15

TP!

14

7

11

15A

 

 

 

 

Hotel Transylvania 2

6

6

U

6

6

AL

7

PG

 

 

 

 

Hunger Games, The

12

12

12A* 

TP!

14

11

11

12A

* certain changes made prior to submission

 

 

 

Hunger Games, The: Mockingjay Part 1

12

12

12A

TP

12

11

11

12A

 

 

 

 

Hunger Games: Catching Fire, The

12

12

12A

TP

12

11

11

12A

 

 

 

 

Hunger Games: Mockingjay Part 2, The

12

12

12A

TP

12

11

11

12A

 

 

 

 

I Spit On Your Grave (remake)

16

18

18*

-

-

-

-

18

* cuts made during scenes of sexual violence

 

 

 

Imitation Game, The

12

12

12A

TP

8

11

11

12A

 

 

 

 

Immortals

16

16

15*

TP

14

7

AL

15A

* cut for violence

 

 

 

Impossible, The

12

12

12A

TP

12

15

15

12A

 

 

 

 

Inbetweeners, The

12

16

15*

TP

14

11

-

16

* certain changes made prior to submission

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

 

 

 

Incendies

16

12

15

TP

-

15

-

15v

v = video

 

 

 

Inception

12

12

12A

TP

12

15

15

12A

 

 

 

Informant, The

AL

12

15

TP

6

AL

  - 

15A

 

Title

Netherlands

Germany

Inherent Vice

16

16

15

TP

16

15

15

16

 

 

 

 

Insurgent

12

12

12A

TP

14

11

15

12A

 

Germany

UK

France

Interstellar

12

12

12A

TP

12

11

11

12A

 

 

 

 

Intouchables [Untouchable]

12

6

15

TP

6

7

7

15A

 

 

 

 

Iron Man 2

12

12

12A

TP

10

11

11

12A

 

 

 

Iron Man 3

12

12

12A

TP

12

11

11

12A

 

 

 

 

It Follows

16

12

15

12

16

-

15

15A

 

 

 

Jack Reacher

12

16

12A*

TP!

16

15

15

12A

*cut for violence

 

 

 

Jack Ryan: Shadow Recruit

12

12

12A

TP

14

15

11

12A

 

 

 

Jackass Presents: Bad Grandpa

12

12

15

TP

16

11

11

16

 

 

 

 

Jeune & Jolie

12

16

18

12

16

-

-

18

 

 

 

 

John Carter

9

12

12A

TP!

10

11

11

12A

 

 

 

 

John Wick

16

16

15

12

16

15

15

16

 

 

 

 

Jurassic World

12

12

12A

TP!

-

11

11

12A

 

 

 

 

Karate Kid, The

12

6

PG

TP

6

11

11

12A

 

 

 

 

Kick-Ass

16

16

15

TP!

-

15

15

16

 

 

 

 

Kick-Ass 2

16

18

15

12

-

15

15

16

 

 

 

 

Killing Them Softly

16

16

18

12

-

15

-

18

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

 

 

King's Speech, The

AL

AL

12A

TP

AL

AL

AL

12A

 

 

 

 

Kingsman: The Secret Service

16

16

15*

12

16

15

15

16

* certain changes made prior to submission

 

 

 

Kon-Tiki

12

12

15

-

10

11

11

-

 

 

 

 

Kung Fu Panda 3

6

  -

PG

TP

6

7

7

PG

 

 

 

 

La piel que habito [The Skin I Live In]

12

16

15

TP!

16

15

-

16

 

 

 

 

Last Airbender, The

9

6

PG

TP

10

11

15

PG

 

 

 

 

Law Abiding Citizen

16

16

18

12!

16

15

-

16**

** Re-rated on appeal (was 18)

Netherlands

Germany

UK

Lawless

16

16

18

12

-

-

-

16**

** Re-rated on appeal (was 18)

 

 

 

Life Of Pi

12

12

PG

TP

10

11

11

PG

 

 

 

 

Lone Ranger, The

12

12

12A

TP

12

11

11

12A

 

 

 

 

Looper

16

16

15

TP

14

15

15

15A

 

 

 

 

Love

16

18

18

18

16

15

-

18

 

 

 

 

Love and Other Drugs

12

12

15

TP

14

11

7

15A

 

 

 

 

Love Punch, The

6

-

12A*

-

-

-

-

12A

 

 

 

 

Lovelace

12

16

18

TP!

-

15

-

18

 

 

 

Lovely Bones, The

12

12

12A

TP!

14

15

15

12A**

** Re-rated on appeal (was 15A)

 

 

 

Lucy

16

12

15

TP

14

15

15

15A

 

 

 

 

Machete

16

KJ (18)

18

12

-

15

15

18

 

 

 

 

Mad Max: Fury Road

16

16

15

TP!

16

15

15

15A

 

 

 

 

Maleficent

12

6

PG

TP

10

11

11

PG

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

 

 

Maps To The Stars

16

16

18

12

-

-

15

18

 

 

 

Martha Marcy May Marlene

12

16

15

TP!

16

15

15

16

 

 

 

 

Martian, The

12

12

12A

TP

12

11

11

12A

 

 

 

 

Master, The

12

12

15

TP

14

11

15

16

 

 

 

 

Maze Runner, The

12

12

12A*

TP

14

11

15

12A

* cut for threat / violence / injury detail

 

 

 

Maze Runner: The Scorch Trials, The

16

16

12A*

TP!

14

-

15

15A

* certain changes made prior to submission

 

 

 

Melancholia

12

6

15

TP

-

15

11

15A

 

 

 

Men in Black 3

9

12

PG

TP

12

11

11

PG

 

 

 

 

Men Who Stare at Goats, The

12

12

15

TP

-

11

11

15A

 

 

 

Millennium: Mannen die vrouwen haten [The Girl With The Dragon Tattoo]

16

16

18

12

-

15

15

18

 

Title

Netherlands

Germany

Million Ways To Die In The West, A

16

12

15

TP

14

11

11

16

 

 

 

 

Mission: Impossible - Ghost Protocol

12

12

12A

TP

12

15

15

12A

 

 

 

 

Movie 43

12

16

15

12

16

11

-

16

 

 

 

 

My Skinny Sister

 

 

15

 

 

 

11

 

 

 

 

 

My Week with Marilyn

12

6

15

TP

AL

AL

AL

15A

 

 

 

 

Nanny McPhee And The Big Bang

6

AL

U

TP

6

AL

7

G

 

 

 

 

Nebraska

6

6

15

TP

-

-

7

12A

(age info from public websites for France / Sweden)

 

 

 

Need For Speed

12

12

12A

TP

14

11

11

12A

 

 

 

 

Next Three Days, The

12

12

12A

TP

14

11

11

12A

 

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

Title

Netherlands

Germany

Nightcrawler

16

16

15

TP!

16

15

15

16

 

 

 

 

Ninja Assassin

16

KJ (18)

18

TP!

16

15

15

18

 

 

 

No Strings Attached

12

12

15

TP

12

AL

AL

15A

 

 

 

Noah

12

12

12A

TP

12

15

15

12A

 

 

 

 

Non-Stop

12

12

12A

TP

14

11

11

12A

 

 

 

 

Nymphomaniac: Volume 1

16

16

18

16

16

15

15

18

 

 

 

 

Nymphomaniac: Volume 2

16

16

18

18

16

15

15

18

 

 

 

 

Oblivion

12

12

12A

TP

12

11

11

12A

 

 

 

 

Oldboy (remake)

16

16

18

16

-

15

-

18

 

 

 

 

Only God Forgives

16

16

18

12!

14

15

15

18

 

 

 

 

Oz: The Great and Powerful

12

6

PG

TP

8

11

11

PG

 

 

 

 

Pacific Rim

12

12

12A

TP

14

11

11

12A

 

 

 

 

Pain And Gain

16

16

15

12

-

15

15

16

 

 

 

 

Pan

9

12

PG

TP

10

11

11

PG

 

 

 

Paranormal Activity

16

16

15

TP!

14

15

15

15A

 

 

 

Paranormal Activity 2

16

16

15

TP!

14

15

15

15A

 

 

 

Paranormal Activity 3

16

16

15

TP!

14

11

15

15A

 

 

 

 

Paranormal Activity 4

16

16

15

TP

14

15

-

15A

 

 

 

 

ParaNorman

9

12

PG

TP

12

11

11

PG***

*** Re-rated on appeal (was 12A)

 

 

 

Parkland

12

12

15

-

-

-

-

12A

 

 

 

 

Percy Jackson: Sea Of Monsters

12

12

PG

TP

10

11

11

PG

 

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

Title

Netherlands

Germany

Piranha 3D

16

KJ (18)

18

12

-

-

15

16

 

 

 

 

Pirates of the Caribbean: On Stranger Tides

12

12

12A

TP

10

11

11

12A

 

 

 

 

Potiche

12

12

15

TP

6

AL

AL

15A

 

 

 

 

Predators

16

KJ (18)

15

12

14

15

11

15A

 

 

 

 

Prince of Persia - The Sands Of Time

12

12

12A

TP

10

11

11

12A

 

 

 

 

Prisoners

16

16

15

12

16

15

15

15A

 

 

 

 

Project X

16

16

18

TP!

16

15

11

18

 

 

 

 

Prometheus

16

16

15

12

14

15

15

15A

 

 

 

 

Purge, The: Anarchy

16

16

15

12

16

15

15

16

 

 

 

 

Raid 2, The

16

18

18

16

-

15

15

18

 

 

 

 

Rango

6

6

PG

TP

10

7

7

PG

 

 

 

 

Real Steel

9

12

12A

TP

10

11

11

12A

 

 

 

 

Red 2

12

16

12A

TP

14

11

11

12A

 

 

 

 

Resident Evil: Afterlife

16

16

15

TP!

-

-

15

15A

 

 

 

 

Resident Evil: Retribution

16

16

15

12

16

-

15

15A

 

 

 

 

Revenant, The

16

16

15

12

  -

15

15

16

 

 

 

 

Rise of the Planet of the Apes

12

12

12A

TP

12

11

11

12A

 

 

 

Road, The

16

16

15

12

-

-

15

16

 

 

 

Robin Hood

12

12

12A

TP

12

11

11

12A

 

 

 

 

Robocop

12

12

12A

TP

12

15

15

12A

 

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

Title

Netherlands

Germany

Room

12

12

15

TP

12

15

15

15A

 

 

 

 

Run All Night

16

16

15

TP!

-

15

15

15A

 

 

 

 

Salt

12

16

12A*

TP

14

15

11

12A

* certain changes made prior to submission

 

 

 

Sausage Party

16

16

15

-

-

-

11

16

 

 

 

 

Savages

16

16

15*

12

-

15

15

16

* certain changes made prior to submission

 

 

 

Saw 3D

16

KJ (18)

 18

16!

-

15

15

18

 

 

 

 

Saw VI

16

KJ (18)

18

16

-

15

15

18

 

 

 

 

Scott Pilgrim vs. the World

12

12

12A

TP

10

11

11

12A

 

 

 

 

Scream 4 [Scre4m]

16

16

15

12

14

15

15

16

 

 

 

 

Secret Life of Walter Mitty, The

6

6

PG*

-

-

-

11

PG

* certain changes made prior to submission

 

 

 

Selma

16

12

12A

TP

12

15

15

12A

 

 

 

 

Serbian Film, A

-

18v*

18*

-

-

15

15

-

* cuts made including to sexual violence / threat

 

 

 

Sex and the City 2

12

12

15

TP

12

11

AL

15A

 

 

 

 

Sex Tape

12

12

15

TP

14

7

7

16

 

 

 

 

Shame

16

16

18

12

-

15

15

18

 

 

 

 

Sherlock Holmes

12

12

12A

TP

12

15

11

12A

 

 

 

 

Sherlock Holmes: A Game of Shadows

12

12

12A

TP

12

11

15

12A

 

 

 

 

Shutter Island

16

16

15

12

16

15

15

15A

 

 

 

 

Sicario

16

16

15

12

16

-

15

15A

 

 

 

 

Side Effects

12

12

15

TP

14

15

15

15A

 

 

 

 

Silent Hill: Revelation

16

16

15

12

-

15

-

16

 

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

Title

Netherlands

Germany

Silver Linings Playbook

6

12

15

TP

8

11

11

15A

 

Netherlands

Germany

UK

Sin City: A Dame To Kill For

16

18

18

12

16

15

15

16

 

 

 

 

Skyfall

12

12

12A

TP

12

11

11

12A

 

 

 

 

Social Network, The

12

12

12A

TP

12

7

AL

15A

 

 

 

Sorcerer's Apprentice, The

9

12

PG

TP

10

11

11

PG

 

 

 

 

Source Code

12

12

12A

TP

12

15

11

12A

 

 

 

Spectre

12

12

12A*

TP

12

11

11

12A

* certain changes made prior to submission

 

 

 

Spotlight

6

  -

15

TP

6

7

7

15A

 

 

 

 

Spring Breakers

16

18

18

12!

16

15

15

18

 

 

 

 

Star Trek Into Darkness

12

12

12A

TP

12

11

11

12A

 

 

 

 

Star Wars: The Force Awakens

12

12

12A

TP

12

11

11

12A

 

 

 

Steve Jobs

AL

6

15

TP

6

-

-

15A

 

 

 

 

Stoker

16

16

18

12

-

-

15

18

 

 

 

Straight Outta Compton

12

12

15

TP!

-

-

11

16

 

 

 

 

Submarine

6

12

15

TP

-

7

AL

15A

 

 

 

 

Sucker Punch

12

16

12A

TP

16

15

11

12A

 

 

 

 

Suicide Squad

12

  -

15

-

  -

  -

15

15A

 

 

 

 

Super 8

12

12

12A

TP

12

11

11

12A

 

 

 

 

Survival of the Dead

16

KJ (18)

18

-

16

-

-

18

 

 

 

 

Taken 2

16

16

12A*

TP!

16

15

-

12A

* certain changes made prior to submission

 

 

 

Taken 3

16

16

12A*

TP

16

15

15

12A

* certain changes made prior to submission

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

Title

Netherlands

Germany

Ted

12

16

15

TP!

-

11

11

16

 

 

 

 

Ted 2

12

12

15

TP!

14

7

11

16

 

 

 

 

Teenage Mutant Ninja Turtles

12

12

12A

TP

12

AL

15

12A

 

 

 

 

Terminator Genisys

12

12

12A

TP!

12

11

11

12A

 

 

 

 

Theory of Everything, The

9

AL

12A

TP

6

7

7

12A

 

Title

Netherlands

Germany

Thor: The Dark World

12

12

12A

TP

12

11

11

12A

 

 

 

 

Three Musketeers 3D, The

12

12

12A

TP

12

11

11

12A

 

 

 

 

Tinker Tailor Soldier Spy

16

12

15

TP

14

11

15

15A

 

 

 

 

Tintin And The Secret of the Unicorn

6

6

PG

TP

6

7

11

PG

 

 

 

 

Tomorrowland

12

12

12A

TP

16

11

11

12A

 

 

 

 

Total Recall

12

12

12A

TP

14

11

11

12A

 

 

 

Town, The

16

16

15

TP

16

15

15

15A

 

 

 

 

Transformers: Age Of Extinction

12

12

12A

TP

12

11

11

12A

 

 

 

 

Transformers: Dark of the Moon

12

12

12A

TP

12

11

11

12A

 

 

 

 

Tree of Life, The

9

12

12A

TP

10

11

11

12A

 

 

 

 

Tron: Legacy

12

12

PG

TP

10

11

11

PG

 

 

 

 

True Grit

16

12

15

TP

16

15

15

15A

 

 

 

 

Twilight Saga: Breaking Dawn Part 1, The

12

12

12A*

TP

12

15

15

12A

* certain changes made prior to submission

 

 

 

Twilight Saga: Eclipse, The

12

12

12A

TP

12

11

11

12A

 

 

 

 

Un Prophete

16

16

18

12

10

-

15

16

 

 

 

 

Title

Netherlands

Germany

UK

France

Austria

Denmark

Sweden

Ireland

 

Title

Netherlands

Germany

Unbroken

16

16

15

TP

14

15

15

12A

 

 

 

 

Visit, The

16

12

15

12

14

7

-

15A

 

 

 

 

Walk Among The Tombstones, A

16

16

15*

12

16

15

15

16

* certain changes made prior to submission

 

 

 

Wall Street 2: Money Never Sleeps

6

6

12A

TP

10

11

7

12A

 

 

 

We Need To Talk About Kevin

12

16

15

12

16

15

15

16

 

 

 

We're The Millers

12

12

15

TP

14

7

11

16

 

 

 

Where the Wild Things Are

9

6

PG

TP

6

-

7

PG

 

 

 

 

Wild

12

12

15

TP

12

15

11

15

 

Title

Netherlands

Germany

Winter's Bone

12

12

15

TP!

14

15

15

15A

 

 

 

 

Wolf Of Wall Street, The

16

16

18

12

16

15

15

18

 

 

 

 

Wolfman, The

16

16

15

12

14

15

15

16

 

 

 

 

Wolverine, The

16

12

12A

TP

14

11

15

12A

 

 

 

 

Woman In Black, The

16

16

12A*

12

-

-

15

15A

* cuts made to scenes of threat and horror

 

 

 

World Invasion: Battle Los Angeles

12

16

12A

TP

14

15

15

12A

 

 

 

 

X-Men: Apocalypse

12

12

12A

TP

12

11

11

12A

 

 

 

 

X-Men: Days Of Future Past

12

12

12A

TP

12

11

11

12A

 

 

 

 

Young Adult

12

12

15

TP

10

11

-

15A

 

 

 

 

Zero Dark Thirty

16

16

15

TP

14

15

-

15A

 

 

 

 

Zombieland

16

16

15

TP

16

15

15

16

 

 

 

 

 

14

 


[1]              ‘Child Safety Online: Age Verification for Pornography’ February 2016, Department for Culture Media and Sport, page 8

[2]              Girls’ Attitudes Survey, 2015, Girlguiding, pages 16-18

[3]              'Briefing on Pornography and Violence Against Women and Girls' (July 2014) End Violence Against Women (EVAW), page 4

[4]              'Pornographic Performances': A Review of Research on Sexualisation and Racism in Music Videos’ by Dr Maddy Coy, July 2014, page 4

[5]              'Online Music Video rating Research Findings', pages 4 & 15