Written evidence submitted by Reset Tech
Reset Tech is a public policy organisation advocating for technology that protects children, consumers, and public safety. Our highly experienced team of researchers, policy experts, storytellers, and operational specialists work across the UK, Europe, Canada, and the United States.
Over the last six months, Reset Tech has been developing a set of detailed proposals to support the Government’s Charter Review process. We have submitted a full response to the Green Paper’s consultation. This submission to the Culture, Media and Sport Select Committee’s inquiry into BBC Royal Charter Review expands on key themes from that response, with additional detail, evidence, audience research and modelling. It broadly follows the order set out in the Committee’s call for evidence, with a section covering each of the nine areas below.
○ Creating additional commercial income streams by adding UKTV and public service broadcasters to iPlayer and through licensing deals with AI firms
○ Reforming the UK’s business charging regime to be more in line with countries like Germany, or levying a small charge on sales of new media devices
○ Setting a base level of productive efficiency of 1% per annum
○ Transferring £500m a year of top-sliced BBC costs back to Government: namely the BBC World Service, S4C and free TV licences for over-75s on pension credit
○ Making the licence fee universal again, either through a household levy, or by reforming the current fee to cover consumption of any video by a household
○ Cutting the reformed licence fee by £50 per household (25%), which reduces the cost for non-evading households and, together with the measures listed above, still increases the BBC’s spending power compared to today
○ These changes would mean a BBC that provides significantly more value to audiences for less cost per household.
Reinventing the BBC for tomorrow’s media landscape will enable it to remain relevant and attract young audiences into the future. Our proposals include the following:
In addition, we propose:
We have supported our proposals with an extensive programme of qualitative and quantitative audience research and testing with our partners at More in Common, highlights of which are included in this response. We would welcome the opportunity to discuss all of these ideas with the Committee at a critical time for information security and public service broadcasting.
The creative industries are one of the UK’s greatest assets – admired worldwide, attracting visitors and investors to the UK, amplifying soft power, supporting digital innovation, growing the economy, and making life in the UK better. The BBC is the foundation of this success. Securing its long-term future is essential in growing a creative industries sector that drives the success of Global Britain and builds on its history and heritage to inform, educate and entertain the world.
Our aim is to increase the impact of public service media in the UK by safeguarding:
● Entertaining and engaging British content used by everyone in the UK, easily accessible and prominently visible, showcasing Britain’s distinct cultures and heritage
● Trusted, accurate, verified, independent and impartial news used regularly by the great majority of the UK population and increasing numbers around the world.
We propose that the BBC Charter Review process should secure a universally used public service BBC for a generation in a way that supports the whole British media sector. We will aim to maintain the BBC as a broad, popular organisation used regularly by nearly everyone in the UK, to avoid the marginalisation of niche, market failure public service broadcasters in other countries - a BBC that is an essential part of our democracy, culture and economy.
Our audience research with More in Common shows that the British public support this view of the BBC. In a nationally representative survey of over 4,000 adults, the BBC continues to be the most-used news provider in the UK by far, and among the most trusted - a unique position:
Trust versus frequent usage of selected news sources (% saying trust a great deal/fair amount/some)
Source: More in Common for Reset Tech, 20 - 27 February 2026, 4,095 GB adults.
When the public is asked what they think about the BBC, they provide a broad range of answers that include news, entertainment, public service and combinations of all of these. The British public sees the BBC as a broad-based universal provider.
When you think about the BBC, what do you generally think of it as? (% selecting each answer)
Source: More in Common for Reset Tech, 20 - 27 February 2026, 4,095 GB adults.
Similarly, the public value a broad range of output from the BBC. When asked what they would miss most if the BBC disappeared tomorrow, drama, factual programmes, news and sport are the most popular answers, with no one genre of output dominating the value the BBC provides to audiences.
If the BBC disappeared tomorrow, what would you miss most? Select your top 3
Source: More in Common for Reset Tech, 20 - 27 February 2026, 4,095 GB adults.
This broad, multigenre offering provides the public with universal value. More in Common asked the public who do they think gets more or less value from the BBC than the average person. While people generally think older adults get more from the BBC than younger adults, the most common answer for each group is ‘about the same’, showing that the general public still sees the BBC as providing value to many different audiences. Perceptions of the value each group gets from the BBC are broadly similar across all ages and audience groups.
For each of the following groups, state whether you think they get more or less than the average person out of the BBC (all responses)
Source: More in Common for Reset Tech, 20 - 27 February 2026, 4,095 GB adults.
We propose three major areas of activity to reinvent the BBC and keep it as a universal service providing value to all audiences for the next Charter. These areas are expanded on at greater length in the rest of this document.
These ideas will only be possible with the reform and modernisation of the BBC’s funding to enable it to grow while minimising the direct impact on UK households (section 2). It is also critical to reverse the trend of the last fifteen years and make the BBC more independent from Government and more accountable to the public who own it and pay for it (section 7).
To support these proposals, the BBC’s purposes should be updated to ensure that they are fit for the digital age:
Once these purposes are agreed, they should be set as part of the BBC’s new permanent Charter, as we recommend later in section 7. The BBC’s Mission and Public Purposes would be beyond the scope of the regular Operational Reviews we propose and would not be able to be regularly amended by an individual government of the day. However, the BBC will still need to adapt and evolve its strategy and operations in response to changes in society, technology, demographics and media use. Therefore, the Government should aim to reduce the length of and detail in each current public purpose, moving any necessary obligations to the accompanying Operational Agreement.
We note that in the 2007 Charter the BBC’s purposes were listed in headline form only:
The Public Purposes of the BBC are as follows— (a) sustaining citizenship and civil society; (b) promoting education and learning; (c) stimulating creativity and cultural excellence; (d) representing the UK, its nations, regions and communities; (e) bringing the UK to the world and the world to the UK; (f) in promoting its other purposes, helping to deliver to the public the benefit of emerging communications technologies and services and, in addition, taking a leading role in the switchover to digital television.
For a permanent Charter, this headline form of expression would be preferable to the detailed, prescriptive and now obsolescent language in the 2017 Charter.
In this section, we set out proposals to diversify and stabilise the BBC’s long-term funding model to future-proof it for decades. This approach would make it 25% less expensive for the great majority of households with an immediate £50 reduction, while restoring some of the BBC’s lost funding from the last fifteen years to allow it to invest more into the creative economy and across the UK.
The future funding of the BBC is the central debate for this Charter Review. If nothing is done to reform the BBC’s funding model, the result will be a death spiral for public service media and the end of the BBC five years into a new Charter.
The BBC’s income has been in long-term decline. In real terms the BBC’s licence fee income has fallen by 24% since the start of this Charter, which equates to the BBC having around £1.2 billion less in real terms from licence fee income in 2024/25 than in 2016/17. This is due to fewer households falling within the licence fee rules, as well as the cost of funding free TV licences for over 75s, and freezes in the price of the licence fee at a time of high inflation[1].
Currently, a TV licence is required for any reception of live TV on any device, and for use of BBC iPlayer. As viewing has shifted first to TV-on-demand and then to video sharing platforms, the number of licences in force has fallen. Over the last decade, therefore, the TV licence has moved from being compulsory to optional for an increasing number of households.
Source: House of Commons Library, TV Licence Fee Statistics, June 2025
The BBC’s latest Annual Report shows another fall of c300k licences in 24/25, reaching 23.8 million licences in force at the year-end[2].
As the number of licences falls so the BBC’s public funding falls in real terms, despite the linking of the licence fee to CPI. This means that the BBC then spends less on content, which further reduces its ability to attract audiences to viewing that requires a TV licence. In other words, the BBC has entered a vicious circle which will accelerate. An extrapolation of the current trend by Reset Tech shows that a licence fee with today’s scope could be being paid for by fewer than 40% of UK households ten years into a new Charter.
Several models have been proposed to address this crisis in the financial sustainability of the BBC: advertising, subscription, a household levy, reform of the current TV licence fee, and a diversified approach. Each is reviewed in brief here:
Advertising: No credible media analysts believe advertising funding could substitute for public funding. An advertising-funded BBC would not be viable at its current scale, and would destroy UK commercial TV and radio. Independent analysis[3] has shown that the doubling of radio advertising inventory and the c40% increase in TV inventory would drive advertising prices sharply down. The result would be a £1.2bn shortfall compared to the current licence fee. The resulting severe impacts on commercial radio, ITV, Channel 4, Five and Sky would render much of the UK media sector commercially unviable.
Subscription: Similarly, no credible media analysts support a switch to a subscription service, as it would generate insufficient income, damage commercial media and contradict the BBC’s universal mission[4]:
● A subscription BBC is no longer a universal BBC and remakes the BBC into a service only for the affluent. The moment premium content is placed behind a paywall, the precious century-long principle that quality and truth are available to everyone regardless of ability to pay would be abolished
● Subscription models have far higher income-generation costs (marketing, customer service and technology) and not everyone would subscribe. The result would be more than half of the population paying double for the same service
● Subscription would require every device used to access BBC services to have conditional access technology. In television it would require turning off the BBC on Freeview, which is connected to the main TV set in approximately 13 million homes. For radio it is technically impossible.
Household Levy: A universal household levy, in operation in Germany and Switzerland, would apply a licence fee regardless of viewing behaviour or device ownership. It would be the simplest solution to BBC funding. Collection and enforcement would also be simpler and more efficient as there would be no need to determine which households are using a TV set, or for what purpose. However, despite the strong arguments in its favour, the Government appears to have ruled out this option in the Green Paper.
Ruling out these three approaches requires novel and ambitious solutions to achieve the Green Paper’s main aims of:
● Reducing the direct impact on households
● Restoring some of the BBC’s lost funding from the last two decades to invest more into the creative economy and across the UK
● Stabilising the BBC’s funding so that it does not enter the vicious circle described above.
Our proposal is to diversify the BBC’s funding model to reduce the per-household charge. We have modelled, for instance, adding the following income streams by the year 2032/33, five years into a new Charter to allow for a period of transition:
This diversification of funding would make it possible to reform the current TV licence fee to become an ‘audiovisual licence’. This would use secondary legislation to expand the definition of ‘live TV’, as was used in 2016 to include BBC iPlayer. Different versions are possible, but in the most future-proofed version, it would bring broadcaster video-on-demand, premium video streamers and video-sharing platforms into the definition – the latest change in a century of updating licence definitions to reflect the newest technology used to receive media. It would increase licensable households to close to 27-28m and allow the continuation of an opt-out for households not consuming online video. With the right data sharing, over time it would be possible to replace the current analogue collection system with digital enforcement, as TV Licensing would know which households were using online video.
This reform would also open up the possibility of TV providers bundling a discounted TV licence with their commercial subscription offers for family or household accounts, as an incentive to take their service, something that is not currently legally possible. Data sharing as part of this bundling would accelerate the modernisation of compliance and enforcement.
In our modelling, the combination of diversified funding and the extended household base from an audiovisual licence could reduce the charge per household by £50, from c£174.50 today to c£125 in real terms – a reduction of a quarter – while still providing the BBC with increased spending power compared to today and stabilised funding over the long term. In addition, up to 25% of the BBC’s public funding would now be progressively targeted towards richer households – without asking them to pay any more directly – through the device levy/business charging and Government funding.
We would be happy to take the Committee through our proposals and modelling in more detail.
As part of our research with our partners at More in Common we have tested a variety of funding mechanisms and trade-offs with the UK public in a quantitative survey. However, we recognise that this is a complex area of policy-making with no straightforward answers. We present these findings as background context, and our next phase of research will be exploring the pros, cons and trade-offs of each model in qualitative groups.
Firstly, we tested the various alternative funding options put forward in the Government’s Green Paper, as well as funding through taxation. While advertising came out highest among the options - unsurprising as it involves no direct payment by respondents - no one model secured above 30% support. This would indicate a relatively even spread of opinion among the population where it remains possible to make a case for any of these.
Which funding model for the BBC would you personally prefer?
Source: More in Common for Reset Tech, 20 - 27 February 2026, 4,095 GB adults.
Taxation is not a popular option to replace the licence fee. When presented with the risk that funding the BBC in the UK through taxes would increase the influence the Government of the day has over the BBC and its programming, a licence fee is seen as a better option.
Which of the following would you prefer for the BBC?
Source: More in Common for Reset Tech, 20 - 27 February 2026, 4,095 GB adults.
When More in Common tested subscription models, more people than not thought that a subscription-based BBC would cost more than the current licence fee - 42% of Britons expect it to cost more than the current fee, against only 18% who think it would cost less. Given the additional subscriber costs and loss of revenue from those choosing not to subscribe, this would certainly be the case. We tested audiences’ response to this scenario and it is clear that more of the public than not would prefer a more universal funding method that reduced costs for everyone.
Which of the following would you prefer for the BBC?
Source: More in Common for Reset Tech, 20 - 27 February 2026, 4,095 GB adults.
If the BBC adopted a subscription model, where audiences had to pay a monthly subscription to be able to access any BBC content, only 33% probably would subscribe in principle, compared to 50% who would probably not. If the BBC subscription cost more than the licence fee currently does, only 21% would probably subscribe in principle, with 64% saying they probably would not subscribe. When tested with a willingness to pay question, some of those saying they would not subscribe would be willing to pay £5 or £10 per month. But overall, of all those who are willing to pay for a BBC subscription, the mean maximum amount they would be willing to pay is £13.14 per month, similar to the current licence fee.
It is clear that those who state a preference for the subscription model tend not to want to subscribe themselves. The majority (53%) of those who select the subscription model as their funding preference say they probably would not subscribe to such a model, compared to 38% who say they probably would.
In conclusion, audiences do not seem to have unified or fixed views on future BBC funding, which is unsurprising as they have not been yet engaged in a public debate. There is a natural tendency to prefer solutions that cost households the least money, while preserving BBC independence. This supports our proposed approach, which is to diversify BBC funding while reducing the cost for the great majority of households and avoiding adverse impacts on the rest of the sector.
* * *
The next four sections of this document set out our proposals to reinvent the BBC for tomorrow’s media landscape, to help it stay relevant to all audiences over the long term and increase the value it provides.
In this section, we set out our proposals for a BBC AI chatbot - ChatBBC - that demonstrates the value of public service artificial intelligence. This would be a safe, transparent and trustworthy interactive knowledge resource and a trusted agentic tool - a public service personal curator for the digital world.
Artificial intelligence is becoming a part of daily life, despite low levels of trust among the public. 69% of people in the UK use AI for work, study or personally, but just 42% say they are willing to trust AI. Almost three-quarters (72%) say they are unsure online content can be trusted as it may be AI-generated. An even greater proportion (78%) are concerned about negative outcomes from AI.
AI literacy is not keeping pace with adoption, and the UK is falling behind other countries. Only a quarter (27%) of people in the UK say they have AI education or training. Despite that almost half (48%) believe they can use AI tools effectively, though a smaller proportion (36%) feel they have the skills and knowledge to use it appropriately. The UK is falling behind many other countries when it comes to AI training and literacy: out of 47 countries surveyed, the UK is in the bottom third for AI literacy and training[5].
AI is also changing the information ecosystem in which democracies and public service media operate. There are three key concerns:
For public service media organisations, this moment is critical. The range of use cases for AI is growing as journalists use these technologies more, ranging from semi-automated fact-checking, to interview transcription, proofreading, visualisation, and metadata tagging, to AI-assisted document processing and archive analysis. PSBs are uniquely positioned to take a lead in harnessing these technologies for public benefit, shaping the debate around what good looks like for AI in journalism and taking advantage of the opportunities AI presents.
In the UK, the PSBs’ mandate and funding models, higher levels of audience trust, relative stability, and track record of investment in innovation gives them the means to take a leading role in shaping the AI market itself, and to help the public understand AI and develop critical capacities to navigate the shifting information and technology environment.
We propose that the BBC takes a leading role in offering public service AI products in the UK market. Only the BBC has the reach, skills, credibility, data and trust to show citizens there is a model for AI delivery based on public service values as an alternative to US-dominated commercial AI services.
In this section, we set out proposals to open up the BBC’s online products to host and support other public service media to help the BBC, public service broadcasters and UK media providers all compete effectively with global tech giants.
BBC-led partnerships have played a crucial role in supporting the UK creative industries over many decades. These include digital switchover, the creation of Freeview, Freesat, YouView and Freely, and distribution partnerships such as hosting S4C Clic on BBC iPlayer. As a result, the UK has a healthier PSB sector than any other country and a world-beating creative economy[9].
However, the challenges to PSB driven by digital technology and globalisation threaten the foundations of this highly successful ecology. The pressure of competition for time and attention, and the dominance of US and China-based online gatekeepers holding control over access to content will put unprecedented audience and business pressures on public service broadcasters. Radical partnership thinking is needed to preserve what we value most as a country in our media.
Our partnership proposals for Charter Review include:
● A new BBC partnership with YouTube to distribute content and invest in a new generation of creative talent, coupled with changes to prominence rules (see section 5)
● Embedding the BBC as the anchor public service partner for digital transition to help UK public services pool user data, reach new audiences and accelerate their digital engagement with their users
● Exploring partnerships with AI providers to provide revenue streams and support the development of ChatBBC, a new public service LLM demonstrating a trusted, verified, safe alternative model in the AI chat marketplace (see section 3).
However, the UK needs to be braver with consolidation in the PSB sector. In the commercial sector, particularly in the US, consolidation has played a crucial role in the battle for attention and revenues. It brings economies of scale: pooling resources, centralising operations, and reducing overheads in engineering, production and corporate services. It enhances bargaining power, particularly over retransmission fees, network access, programming terms and prominence. Consolidation creates more valuable data sets that enable more optimised production, advertising inventory and audience targeting. Companies can leverage cross-promotion and share content across multiple channels, enhancing their reach to different audiences. These trends have led to huge corporate mergers in the US, and have driven the creation of superindie producers and the recent Sky/ITV proposed merger in the UK.
The BBC is the natural partner for PSB and UK media consolidation. It has played this role over many decades with broadcasting and distribution partnerships. The BBC’s platforms are the best foundations for this strategy – they are the biggest British online platforms for all age groups, and the only products guaranteed to be British-owned in perpetuity.
Top ten organisations visited by UK online individuals on smartphones, tablets or computers,
by age group
Source: Ofcom Media Nations 2025.
In the face of these inexorable market forces, we propose to use the Charter Review process to enable a radical consolidation of UK audience-facing platforms. This would involve opening up the BBC’s major products – iPlayer, Sounds, News & Sport – to other public service and UK media providers. This would see iPlayer hosting ITV, Channel 4, Channel 5 and BFI content, for instance; Sounds could host content from commercial radio and UK music providers; BBC News and Sport online could host content from independently regulated UK news companies.
Consolidating online routes to audiences in this way will increase the reach and revenues associated with public service media and produce new revenue streams for the BBC. It will reduce the cost of investing in data, technology and product engineering at a time when those costs are escalating. It will create one digital service that will be strong enough to compete with global players, with mandated prominence to ensure its visibility. Prominence and visibility will be far easier to secure with one combined player across each content format (video, audio, news), than attempting to regulate prominence for 15-20 different players.
However, we acknowledge that this is a radical restructuring of the traditional PSB market, where organisations have traditionally competed separately and directly for audiences while generally pursuing different revenue models. Therefore, significant intervention will be needed to deliver this strategy.
○ the guarantee that no BBC publicly funded programming will have advertising in its first transmission window, protecting the audience experience of publicly funded content and the advertising revenues of commercial PSBs
○ the ability to turn off advertising completely and see only BBC publicly funded content if preferred. However, the default setting for these consolidated products should be the broader service.
In this section, we set out our proposals for ambitious new partnerships with YouTube and third-party platforms to invest in a new generation of talent and syndicate BBC content. This would need to be supported by Government intervention on prominence.
For decades, regulation has helped audiences easily find and discover PSB content on linear broadcast television – that is why BBC, ITV, Channel 4 and 5 main services are always numbered 1-5 on any broadcast TV. But by 2024, linear broadcast TV accounted for under half of audiences’ in-home viewing[10].
A growing disconnect between the UK public service broadcasters and audiences threatens the future sustainability of the sector. It puts at risk audience access to and usage of trusted and accurate news which supports democratic society, and a breadth of programming that reflects the whole of the UK. This is a particular challenge for children and younger people who risk losing access to British content that helps them to learn and grow, and that reflects their lives and shared societal values on screen.
Online platforms hold all the power today and they determine how content and news items are presented. Recent Ofcom analysis showed that the majority of YouTube videos watched from UK web browsers are viewed as a result of YouTube’s recommender system. When searching YouTube using a range of popular news-related terms, just 6% of the top ten results were from PSBs. Three-quarters of the videos did not originate in the UK, despite setting the search location to the UK[11]. Previous analysis found that news items at the top of a social media feed were viewed almost 15 times longer than those further down[12]. The increasing trend of algorithmic curation displacing content chosen by users with content pushed by the platforms is happening across the industry and across all major digital video services. The rapid proliferation of low-quality, highly emotive, AI-produced video is accelerating the phenomenon.
Currently, there are no requirements for the PSBs to put their content on online platforms like YouTube or on social media, or for these platforms to carry public service content or make it prominent. The Media Act 2024 introduced a limited new regime to make public service TV content easier to discover and watch on connected TVs. Audio regulation in the Act only covers voice assistants, not in-car interfaces or other audio platforms and devices. News on social media has had no support or intervention, despite evidence showing that users of PSB news output are more likely to correctly identify important factual information, have higher levels of trust in institutions, and be less polarised than non-users[13].
The increasing reach of Artificial Intelligence exacerbates these risks, as it can already produce passable news summaries and answer politically sensitive questions without an onward online journey to a trusted news source. This centralises the control of information in the hands of a few unaccountable non-UK technology giants and upends the traditional business models of news. Similarly, educational and entertainment content from PSBs that is appropriate for children is increasingly being displaced and can be functionally invisible. Furthermore, many of the largest digital media platforms have chosen to penalise posts with lower discoverability if they provide links that encourage users to click out to original sources, third-party websites or other platforms.
As a result, public service content will become invisible and undiscoverable without two crucial actions:
a. Syndication, distribution and content changes for the BBC:
b. Legislative and regulatory change to secure prominence:
In this section, we set out proposals to increase funding for entertaining, educational British programming for children, to support the UK’s commissioning and production sector, and to enhance the BBC’s formal education offer around media literacy and citizenship.
Children lead the way in how audience viewing habits are changing, and they benefit from an unprecedented choice of content. Ofcom’s data shows that in 2024 children watched more than 3 hours of video content per day on average. However, the majority (62%) occurred via video sharing platforms like YouTube and streaming services like Netflix and Disney+. 4-6 year-olds spend 27% of their in-home viewing on YouTube; 7-12 year-olds spend 35% of their viewing time there. Among younger teenagers, TikTok makes up 22% of viewing time, making it the second-largest platform in this age group and meaning that half of all viewing time among teenagers is spent on video-sharing platforms[16].
By contrast UK broadcaster content, including live and recorded TV and Broadcaster Video on Demand (BVoD) made up 22% (41 minutes of the average child’s daily consumption). The shift to online viewing has come at the cost of linear TV: 87% of children aged 4-15 watched broadcast TV every week in 2016; now 53% of children do. Children are consuming less UK content which reflects them and their lives.
Only the BBC provides home-grown UK programmes for all children, across all genres and at scale. Since 2010 the annual production of children’s TV by the PSBs has more than halved from 843 hours to 380 hours, with the BBC providing 340 of these hours in 24/25 (88%).
The wider market is not making up for this decline: Ofcom data shows that SVOD providers made only 12 hours of UK children’s content in 2024[17]. YouTube does not commission content for UK children and Ofcom estimates that only around 20% of the content audiences consume on YouTube is UK-originated[18] – children’s data is not available.
The potential impact of this shift on the next generation of UK citizens includes a weakened sense of belonging to a cohesive society; a permanent loss of connection to public service content and its core British values; and a disengagement from the UK’s democratic processes, as young people struggle to navigate powerful and persuasive channels of disinformation. Moreover, the video sharing platforms that dominate the media consumption of young viewers are widely considered by experts to be addictive, notoriously flooded with age-inappropriate content, and monetised through surveillance and selling attention. The problems have become so severe that the UK is among numerous countries considering raising the minimum age for access from 13 to 16. The current and future requirement for trusted, age-appropriate content on platforms that parents can rely upon to protect children while providing educational and entertainment content is a core value proposition for public service media. It is not only a social responsibility; it is a market opportunity.
* * *
These four sections - ChatBBC, Open BBC products, Third-party platforms and prominence, and Children’s content - are four key areas to reinvent the BBC for younger audiences in particular. Our submission now moves on to the key question of BBC independence and accountability.
In this section, we summarise proposals to make the BBC more independent from Government and more accountable to the public who own it and pay for it. This would be through a perpetual Charter, an Independent Appointments Commission and an Independent Funding Commission, supported by a standing Citizen’s Panel. These proposals are expanded on in the recent publication by Demos, Our BBC - A Blueprint for a more independent and future-proofed BBC[20].
We are at a moment of maximum peril for open, democratic societies. The BBC is one of very few institutions trusted across the political spectrum to provide reliable and trustworthy information. In a world where US-owned companies control the hardware, distribution and economic incentives through which UK citizens access information, the BBC offers something no commercial entity can: a publicly accountable organisation operating in the public interest.
Independence allows the BBC to be free from government or political influence in its content; to be impartial when reporting on elections, government policies, and political parties; to hold government to account; to be editorially independent and have the final say on what stories to cover and how to cover them; and to pursue its own agenda, without interference, so it can provide content that serves audiences across the UK and the world.
Perhaps most importantly, but not mentioned in the Government’s Green Paper consultation, is that it sets the standards for the whole sector. The BBC is unique in the UK. There is little difference between net scores for trust in the BBC from people on the left and right of politics. BBC News is consumed frequently by the majority of the public, unlike any other news source.
Source: FT analysis (26 May 2023) from YouGov data
This is a very different picture from the US, where levels of polarisation between each side
about each news provider are far more pronounced. No news source is used frequently by more than around a quarter of the public. The effects of this news landscape are visible in the political debate, high levels of polarisation and impacts on citizens in the US.
Source: FT analysis (26 May 2023) from YouGov data
However, the last fifteen years have eroded the BBC’s independence. Appointments of the Chair and Board members have been overtly politicised; more Government bodies have formally reviewed the BBC; and the BBC’s very future and funding have been explicitly linked by Ministers to its news coverage. In an AI-led world where trust, authenticity and independence will be highly prized, this Charter can reverse this trend and restore public confidence.
Critically, the UK public sees this as the biggest gap for the BBC today: out of 872,701 responses to the BBC’s recent survey, 91% said it was important for the BBC to be independent from the government, but only 43% thought the BBC was currently[21].
* * *
Our submission concludes with proposals in the area of news. The BBC remains a trusted source of news and the UK's most used news source. We propose changes in two key areas: international news and local news.
In this section, we set out proposals to secure the future of the BBC World Service, so that it has the opportunity to double its audience in a new strategic partnership funded by the Government.
The BBC has a presence in 73 cities in 59 countries around the world[22]. That global footprint means it is on the ground in the most important parts of the world and provides first-hand journalism with unmatched credibility.
Overall, the BBC reaches 453 million people on average per week across all services in all countries across all platforms (television, radio, website and social media). The BBC is ranked No.1 for trust, reliability and independence amongst international news providers. It is the most trusted international news brand for audiences in the US, and the sixth-most consumed news source in the US[23].
The BBC is the UK’s most recognised cultural export, with 76% of influential audiences around the world having heard of it – higher than any other British cultural export including British sports, films and universities. This awareness correlates with a strong propensity to feel positively about the UK as a result[24].
However, the World Service is challenged by the much better funded state broadcasters from China and Russia – research has shown that CGTN and RT have a direct influence on their country’s respective favourability. 71% of CGTN consumers view China favourably while 58% of RT consumers view Russia favourably, and over the past three years China has shown a considerable increase in favourability.
Meanwhile, US global media channels that enjoyed large audiences and influence – such as Voice of America, Radio Free Asia, Radio Free Europe, the Middle East Broadcast Network and programming for Iran, Cuba and Venezuela – have all been closed or massively curtailed. Added to this are major reductions facing impartial media around the world previously in receipt of US funding which has now been eliminated. These unprecedented developments present major opportunities for expansion of the World Service in a way that aligns with UK national interests. The gap in the market is substantial, and the World Service is well positioned to fill it, for instance by using vacant frequencies and premises not already taken over by Russia and China. It is a generational opportunity for UK foreign policy.
However, the biggest challenge for the World Service is funding. Without a long-term funding plan, the World Service will be in permanent decline. Charter Review is an opportunity to solve both the principle of who funds the BBC’s overseas activities, and the overall funding level:
● Who funds: until April 2014 the World Service was funded through grant-in-aid funding from the Foreign and Commonwealth Office (FCO). Since then, the World Service has been funded by a combination of the BBC’s licence fee and a grant from the Foreign, Commonwealth and Development Office (FCDO). As the BBC’s overall budget has been reduced, it has made continued savings in the World Service, beginning with £28.5 million announced in 2022[25].
As the competitive intensity to deliver value to the licence fee payer in the UK increases, pressure will continue on budgets focused on domestic programming, precluding a substantial increase for the World Service. Any objective assessment of the importance of the World Service would recognise that its funding should not be in a zero-sum game with the licence fee and UK programming.
● Funding level: the overall level of funding of the World Service is a strategic choice, where the UK must decide how much it values growing and extending its soft power and influence. The recent history of budget changes shows the clear effectiveness and return-on-investment of increasing spend in the World Service which produced significantly higher audience figures within two years of the increased funding. The cuts in 2020 and 2021 had a negative impact on audience figures, which have yet to recover.
In this section, we set out proposals to reinvigorate local news and local democracy through a new partnership between the BBC and the local news sector, developed together with colleagues at the Public Interest News Foundation.
The BBC plays a critical role in providing local news for all parts of the UK and supporting the wider local media ecosystem through partnerships with local journalism. The BBC operates sites and journalistic teams that provide local radio, TV and online news across all four UK nations, the Channel Islands and the Isle of Man. BBC services support local democracy, scrutinise the democratic processes in the devolved nations and local government, and connect local communities with the issues that matter to them.
However, outside the BBC, the local media sector is facing serious challenges. As Ofcom has reported, despite audiences moving online, the decline in print and TV advertising revenues has not been offset by digital advertising revenues, a large proportion of which is captured by online intermediaries. Willingness to pay for online local news and information in the UK is very low compared to other countries[27].
Some local providers have gone out of business, while others have been acquired by a few big media groups which now control a large proportion of the sector. Consolidation has led to the closure of some local media outlets, while others have sought to cover a wider geographic area and/or reduce resources, including cutting jobs. New small or community providers, who are keen to fill gaps in the market, often struggle to thrive and are frequently reliant on part-time, voluntary and freelance staff.
However, audiences still value local news highly – Ofcom’s 2023 local media survey showed that 92% of UK adults use local news or information, with 89% of this group now accessing this online. 35% of adults claim to use the BBC website for local news in a month and the BBC’s 6.30pm regional news programme regularly delivers greater overnight audiences than any other TV news offer in the UK[28].
Ofcom did not find a significant impact from BBC activity on the local media sector. Since the BBC expanded its output online in 2023, its local page views have increased, while viewing of commercial online news (both local and non-local) have declined. However, Ofcom’s analysis did not find significant evidence that the two are causally linked and the decline in commercial page views is part of a longer-term trend predating the BBC’s changes. And, in addition, over the last ten years, the BBC has funded and supported the Local Democracy Reporting Service (LDRS) which has published more than 530,000 stories and supported the journalism of more than 230 commercial media organisations across the UK[29].
The BBC has long played a vital role in the local news ecosystem, both as a provider of local news and as a partner to local news providers. Together with our partners at the Public Interest News Foundation (PINF), we believe that the BBC can develop its role further as the partner of a thriving local news ecosystem. The current Review of the BBC’s Charter provides an ideal opportunity to cement this role in an expanded BBC local news partnership. This partnership would have five core areas.
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Submitted by Reset Tech
April 2026
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[1] A BBC For All: Our response to the government’s Green Paper, p.76
[2] BBC Annual Report & Accounts 2024/25, p.151
[3] E.g. Richard Broughton, Research Director, Ampere Analysis—supplementary written evidence (BFF0063)
[4] See Licence to change: BBC future funding for a comprehensive analysis
[5] UK attitudes to AI | KPMG UK
[6] Similarweb: No Clicks From Google Grew From 56% to 69% Since AI Overviews
[7] Largest study of its kind shows AI assistants misrepresent news content 45% of the time – regardless of language or territory
[8] See, for instance, Responsible AI and Public Service Journalism
[9] See, for instance, Creative Industries Sector Plan
[10] Media Nations 2025 - UK Report
[11] Annex 1: Review of Public Service Media - PSBs in the platform era: A YouTube case study
[12] Transmission Critical The future of Public Service Media | Ofcom
[13] Review of Public Service Media (2019 – 23) | Ofcom
[14] In this context, we use ‘prominence’ to describe practices to increase the visibility and representation of certain types of content, through interface elements such as EPGs, search, rankings, recommendations and promotional rails.
[15] See Create x Connect | NFTS
[16] Written evidence submitted by Ofcom
[17] Written evidence submitted by Ofcom
[18] Transmission Critical The future of Public Service Media | Ofcom
[19] Children and Parents: Media Use and Attitudes Report | Ofcom
[20] https://demos.co.uk/wp-content/uploads/2026/01/Our-BBC_Report_January-2026.pdf
[23] BBC’s response to global news events drives audience growth
[24] New research reveals the extent of the BBC’s role internationally and changing global trends
[25] BBC World Service outlines move to digital-first service - Media Centre
[26] Public Accounts Committee, oral evidence
[27] Review of local media in the UK initial findings July 2024
[28] A BBC For All: Our response to the government’s Green Paper
[29] A BBC For All: Our response to the government’s Green Paper