Written submission from Dr Heidi Ashton (ERB0039)
Written evidence from Dr Heidi Ashton
Evidence based on extensive research and experience as a freelance worker in the cultural sector.
The Employment Rights Bill addresses many concerns for precarious workers in the labour market however, there are significant weaknesses in relation to freelance workers in the cultural and creative sector who are vulnerable to exploitation and precarity.
This group of workers are largely not covered by the bill and face many difficulties as they work on a series of short-term contracts in a sector that is based upon project-based modes of production in an unregulated labour market.
Some of the issues they face include:
Unlike other countries such as Germany, Sweden, Lithuania, Croatia, France, South Korea (to name a few) freelancers in the cultural sector in the UK do not have any clear status that recognises their unique position in a non-standard labour market (as noted by UNESCO). This leaves them vulnerable as they occupy a grey space between employed and self-employed being reliant upon employers who set the times, rates, terms and conditions of employment but at the same time being self-employed for tax purposes due to their reliance upon numerous short-term contracts with little to no stability.
The situation is complicated by the fact that there are different ‘norms’ in different sub-sectors so the conditions vary greatly. There are some organisations with excellent and fair practices but pay and conditions have on the whole deteriorated over the last 20+ years. These workers are in danger of falling through the gaps again.